万之文集：万之简历(英文)

万之简历(英文)
Vita / Resume
    Last Name: Chen
    First Name: Maiping
    Pennames: Wan Zhi, Chen Qingyu, Chen Jian
    Sex: Male
    Birth Date: November 4, l952
    Birth Place: China
    Nationality: Swedish (since 1998 April, before the date Chinese)
    Educational Background:
    1959-1965: Primary School Attached to Fudan University, Shanghai, China
    1965-1969: Fuxin Middle School Attached to Fudan University, Shanghai, China
    1978-1982: Dept. of Chinese Literature and Language, Beijing Teachers* College, Beijing (B. A. degree), China
    1982-1985: Department of Dramatic Literature Central Academy of Drama, Beijing (M.A. degree)
    1986-1989: Dept. of Theatre Art (Storfag, Hovedfag candidate), Faculty of Arts, University of Oslo, Norway
    1992-1997: Dept. of Chinese Studies (Ph. D candidate) Inst. for Oriental Languages, Stockholm Univ. Sweden
    Working Experiences:
    1971-1974: Nurse, Xinhe County Hospital, Xinhe County, Inner-Mogolia, China
    1974-1978: Teacher, Xinhe Middle School, Xinhe County, Inner-Mogolia, China
    1985-1986: Lecturer, Department of Dramatic Literature, Central Academy of Drama, Beijing, China
    1985-1988: Editor, Guoji Shitan (International Poetry), a national poetry magazine published in Guilin, China
    1985-1989: Journalist, Xiju (Drama), a drama magazine published by Central Academy of Drama, Beijing. China
    1990-1992: Foreign Lecturer (Ut. Lektor), Dept. of Chinese Studies, Stockholm University
    1991. 6-8 : Research Fellow, Rockefeller Research Program, Center of Psychosocial Studies, Chicago, U. S.
    1989-1996: Director of Editting Office, Jintian (Today Literary Magazine), voluntary service
    1992-1997: Editor, reporter, Beiou huaren (Nordic Chinese), a local newspaper for Chinese people in the Nordic countries, Stockholm, Sweden, voluntary service
    1994- Examiner of the language examination for professional/authorized translators (Swedish to Chinese) run by Kammarkollegiet, Sweden
    1996- Editor of fictional works, Jintian (Today Literary Magazine), voluntary service
    1997-2000: Foreign Lecturer (Ut. Lektor), Dept. of Chinese Studies, Stockholm University
    2001- CBG Consult AB, Sweden
    Guest Lecturings
    1985-11, on Western modern drama at Changchu Yishu Xueyua (Chang chun College of Fine Arts), China
    1987-10, on modern Chinese literature at the Dept. of East Asian Studies, University of Aarhus, Denmark
    1988-1990, on Chinese traditional theatre at Institute of Theatre Art, University of Oslo, Norway
    1988-1990, on Chinese language and drama at Dept. of East Asian Studies, University of Oslo, Norway
    1993-6, on Chinese history, culture and language at the training program of teachers sent to China by Swedish Mission, Link歱ing, Sweden
    1993-8, on cultural globalization at the Nordic Summer University (NSU)
    1993-9, on modern Chinese history, culture and politics at Norrk歱ing People誷 School (Folkskolan), Sweden
    1995-6, on Chinese history, cultural and language at the training program of teachers sent to China by Swedish Mission, Uppsala, Sweden
    1995-9, on modern Chinese literature at 褻hina courses* organized by Course Centre, Uppsala Univ, Sweden
    1997-6, on Chinese history, cultural and language at the training program of teachers sent to China by Swedish
    Mission, Stockholm, Sweden
    1998-6, on Chinese history, cultural and language at the training program of teachers sent to China by Swedish Mission, Stockholm, Sweden
    1998-10, on cultural globalization at the Institute of Region Studies, University of Jyvaskyla, Finland
    1999-8, on cultural globalization and Chinese culture at Dept. of Chinese Lanauge and Literature, Tamkang University, Taiwan
    2000-5, on modern Chinese literature at Dept. of Chinese Language and Literature, Tamkang University, Taiwan
    Publications:
    A. Academic Works and Publications in English
    * 襉n the Absence of the Self: From Modernism to Postmodernism?* 13 A5 pages, in Inside Out - Modernism and Postmodernism in Chinese Literary Culture, edited by Wendy Larson and Anne Wedell-Wedellsborg, Aarhus University Press, 1993.
    * 襒u Wei and Modernity in Chinese Literature*, 32 A5 pages, in The Stockholm Journal of East Asian Studies, volume 4, 1993, edited by Maiping Chen, Bert Edstr歮, Torbj歳n Lod巒, the Center for Pacific Asia Studies, Stockholm University, 1993.
    * 褻hina誷 Cultural Landscape after Mao*, essay, 17 A4 pages, in Outstretched Leaves on his Bamboo Staff, studies in Honour of G歳an Malmqvist on his 70th birthday, edited by Joakim Enwall, the Association of Oriental Studies, Stockholm, 1994.
    * 襎he Individual in the Shadow of the Whole: the Self in Modern Chinese Literature*, 32 A5 pages, in The Stockholm Journal of East Asian Studies, volume 6, 1995, edited by Torbj歳n Lod巒, the Center for Pacific Asia Studies, Stockholm University, 1995.
    * 褹ssociative and Dissociative : the Self in Chinese Classical and Modern Literature*, essay, 33 A5 pages, in Identity in Asian Literature, edited by Lisbeth Littrup, Curzon Press, London, 1996.
    * 襎he Fission of Western Culture and the Fusion of Chinese Culture*, 18 A5 pages, in The Stockholm Journal of East Asian Studies, volume 8, 1999, edited by Torbj歳n Lod巒 & Chen Maiping, the Center for Pacific Asia Studies, Stockholm University, 1999.
    B. Academic Works and Publications in Norwegian or Swedish
    * 褽lementer i blanding - det vestlige teaters mottagelse og innflytelse i Kina (Elenments in Mixture - Western Theatre誷 Reception and Impact in China)*, 5 A4 pages, published in Spille rom (Playing Room), No. 3/4, 1990, Stiftelsen, Oslo, Norway.
    * 襇ade in China*, an essay in Swedish on orientalism and occidentalism in Chinese culture today, 1 A3 page in Sydsvenska Dagbladet, August 23, 1995.
    * 襍v宺tillg妌gliga bergstoppar, underbara syner: om sex och k妑lek i 妉dre kinesisk litteratur (Wonder Signts at the Dangerous Peaks: on sex and love in classic Chinese literature)*, 8 A4 pages, Halva V妑ldens Litteratur (Half World誷 Literature), No. 3-4, 1996, Stockholm, Sweden.
    * 襏t ur j妑nhuset* (Out of the Iron House), an essay about Chinese literature after Mao, co-writer Torbjorn Lod巒, in Karavan, No. 1, 2001. Sweden.
    C. Academic Works and Publications in Chinese
    * 褼uanlie: Lun Ren Dao Zongnian de jiegou (Splitting: on the structure of Middle-Aged People)*, essay, 20 A4 pages, which won the second prize of the year's competation of academic essays, Beijing Teachers* College, 1981.
    * 褹i yu hen de jiaozhi: lun Aozi xiaoshuo zhong de zhuti (Interweaving of Love and Hatred: A Major Theme in Joyce Carol Oates* novels)*. B.A. thesis, 32 A4 pages, Beijing Teachers* College, 1982.
    * 襆un Yibusheng juzuo zhong de xiangzheng wenti (On the Problem of Symbols in Ibsen's Plays)*. essay, 7 A4 pages, published in Xiju (Drama), No. 4, Central Academy of Drama, 1984, Beijing.
    * 襆un Aonier wanqi juzuo de xiju jiegou (On the Dramatic Structure of Eugene O'Neill's Later Plays)*. M.A. thesis, 80 A4 pages, Central Academy of Drama, 1984, Beijing.
    * 襒ianshi zhuyi de duoyanghua he duoyanghua de xianshi zhuyi (Realism Multipalized and Multipalized Realism)*. essay, 4 A4 pages, published in Xiju Bao (Theare Monthly), No. 8, 1985, China's Theatre Association, Beijing, China
    * 褼angdai Nuowei Xiju (Contemporary Norwegian Theatre)*. essay, 4 A3 pages, published in Juben (Plays), No. 2, 1987, Drama Press, Beijing.
    岩Zhenti yinyin xia de geren*(The Individual under the Shadow of the Whole), 26 A5 pages, published in Xueren (Scholars), volume 1, 1995, edited by Wang Hui, Wang Shouchang and Chen Pingyuan, Jiangsu renmin chubanshe, Nanjing, 1995.
    * 襀ouxue pipan zhi pipan (Criticism on criticism of Post-Studies)*, Ershiyi Shiji (21st Century), No. 10, 1995, Hong Kong. This is a presentation of discussions at a seminar at the Department of Chinese Studies, Stockholm University on Zhao Yiheng誷 article conservatism覧rshiyi Shiji (21st Century), No. 2, 1995, Hong Kong
    * 襒ifang wenhua de liebian and Zhonggou wenhua de jubian (the Fission of Western Culture and the Fusion of Chinese Culture)*, 6 A4 pages, first in Huaren wenhua shijie (Overseas Chinese Cultural World, bimonthly cultural magazine), No.3, 1996, Hualian chubanshe, Beijing. Later it is republished by Qianshao (Front Post, a monthly political and Cultural magazine), No. 1, 1997, Hongkong.

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